| 2023 |
Miami Herald / Artburst |
A.I. Is Top Topic At 10th Anniversary FilmGate Miami Festival |
feature |
| 2023 |
WLRN |
Sundial |
interview |
| 2023 |
CMU School of Art |
5 Questions for Fereshteh Toosi, MFA ’04 |
interview |
| 2023 |
World Records |
Animistic Apparatus: A Gathering |
feature |
| 2022 |
Antennae: The Journal of Nature in Visual Culture |
Mycologies Issue 58: Financial Crisis Mycoremedation |
interview |
| 2022 |
Penn Today |
Grappling with a watershed’s uncertain environmental future |
feature |
| 2022 |
The Hmm |
The Power of the Poor Image |
interview |
| 2021 |
Miami Herald / Artburst |
Metaphysical Hotline’ is a moving sensory experience with a message |
review |
| 2021 |
Miami New Times |
The Future Is Calling: Intimate, Interactive Performance Art Highlights Ecological Crisis |
review |
| 2021 |
No Proscenium |
No Proscenium |
review |
| 2021 |
Miami Today |
Miami cultural community reinvented itself in pandemic |
feature |
| 2021 |
The Jitney |
Metaphysical Hotline, an otherworldly theatrical experience |
review |
| 2020 |
Panther NOW |
FIU’S Frost Art Museum Showcases Three New Galleries |
review |
| 2020 |
Fresh Art International |
|
podcast |
| 2019 |
Kidnapped for Dinner |
We are nature and nature is us |
podcast |
|
Hyperallergic |
Deep Mapping Miami’s Past, Present, and Future at Creative Time Summit |
feature |
| 2018 |
Boca Magazine |
Take to the tall timbers |
feature |
|
Dr. Elizabeth Scarbrough’s academic blog |
Q & A with artist Fereshteh Toosi |
interview |
| 2013 |
Pelican Bomb |
Review: “Where Do We Migrate To?” |
review |
| 2013 |
Chicago Reader |
Zoom in: the Loop |
profile |
| 2013 |
Chicago Tribune |
Food heritage in a shoe box |
profile |
|
Turnstyle News |
Chicago Artist Fereshteh Toosi Explores The Definition Of Soul Food |
interview |
| 2012 |
Iranian.com |
“By Any Media Necessary:” The Artwork of Fereshteh Toosi |
interview |
| 2009 |
Los Angeles Times |
Traces of Being: Iran in
the Passage of Memories’ at Morono
Kiang Gallery |
review |
| 2007 |
DCist |
You aren’t as green as you are cabbage looking |
review |
| 2005 |
Pittsburgh City Paper |
Tactical Video |
review |
| 2005 |
The KISSS Project: Kinship International
Strategy on Surveillance and Suppression
Elastic residence |
Art in Security and Security in Art |
essay |